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			<p><center><span style=FONT-WEIGHT:bold>NEW FROM ARTHUR:<span style=FONT-STYLE:italic></p>
<p>PARADISE NOW: THE</p>
<p></span></span><span class=st name=st style="FONT-WEIGHT:bold; FONT-STYLE:italic">LIVING</span><span style="FONT-WEIGHT:bold; FONT-STYLE:italic"></p>
<p></span><span class=st name=st style="FONT-WEIGHT:bold; FONT-STYLE:italic">THEATRE</span><span style="FONT-WEIGHT:bold; FONT-STYLE:italic"></p>
<p>IN AMERIKA DVD</span><br style=FONT-WEIGHT:bold/></p>
<p><a name="paradise"></a> <br style=FONT-WEIGHT:bold/></p>
<p><span style=FONT-WEIGHT:bold>LIMITED EDITION OF 1,000 - ORDER NOW!</span></p>
<div style="PADDING:1em 0pt; TEXT-ALIGN:center">
<p>
<p> &#8220;Life, revolution and theater are three words for the same thing:<br /> an unconditional NO to the present society.&#8221; - Julian Beck</p>
<p>&#8220;Paradise Now &#8230; more relevant now because we&#8217;re closer<br /> to now than we ever have been.&#8221; - Hanon Reznikov</p>
</div>
<p></center></p>
<p>Arthur Magazine proudly presents our newest release</p>
<p><span style=FONT-STYLE:italic>PARADISE NOW: The Living Theatre in Amerika</p>
<p>DVD</span> featuring rare, never-before-distributed films and a bacchanal of</p>
<p>revolutionary multimedia documents from The Living Theatre&#8217;s historic and</p>
<p>influential &#8216;68-&#8217;69 American tour. A fulminating art-meets-life installation</p>
<p>brought to you in collaboration with</p>
<p><a href=http://www.livingtheatre.org/ target=_blank title="The Living Theatre">The</p>
<p>Living Theatre</a> and <a href=http://www.universalmutant.org/ target=_blank> Universal Mutant, Inc.</a></p>
<p><center> </center><center><span style=FONT-WEIGHT:bold>PREVIEW ON YOUTUBE</span><br /></center></p>
<p> <center><object width="240" height="180"><param name="movie" value="http://www.youtube.com/v/jF7_BdHi_NA"></param> <embed src="http://www.youtube.com/v/jF7_BdHi_NA" type="application/x-shockwave-flash" width="240" height="180"></embed></object></center><br /><p></center> 
<p> </center></p>
<p></p>
<div style=TEXT-ALIGN:left>
<p>- <span style=FONT-STYLE:italic><b>PARADISE NOW: THE LIVING THEATRE IN AMERIKA</p>
<p>(1969) </b></span>a film by Marty Topp, produced by Ira Cohen for Universal Mutant</p>
<p><i>&#8220;Marty Topp&#8217;s beautiful film of &#8216;Paradise Now&#8217; reveals how the theories of</p>
<p>revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution.&nbsp; Practiced together</p>
<p>they are a single thrust, encompassing both political action and sensual joy,</p>
<p>leading to the dreamed-of terrestrial paradise.&#8221;</i> &#8212; Judith Malina</p>
</div>
<p></p>
<span style=FONT-STYLE:italic><b>EMERGENCY: THE LIVING THEATRE</b> (1968)</span> a film by Gwen Brown,</p>
<p>featuring precious footage of Living Theatre productions</p>
<p><span style=FONT-STYLE:italic>Mysteries and smaller pieces</span>,</p>
<p><span style=FONT-STYLE:italic>Paradise Now</span>, and</p>
<p><span style=FONT-STYLE:italic>Frankenstein</span></p>
<p> <i> &#8220;The fusion of Brown&#8217;s freewheeling direct cinema and the Living Theatre&#8217;s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.&#8221; </i>- Andrew Wilson of Artist&#8217;s Access Television</p>
<p><center>  <span style=FONT-STYLE:italic><b>THE PERMANENT REVOLUTION: CHANGE! (2007)</b></span> a film by Will Swofford and Georg Gatsas </p>
<p>On Thursday August 23rd, 2007, in the south plaza of New York&#8217;s Union Square The Living Theatre presented Paradise Now in the streets marking the 80th anniversary of the capital executions of Nicola Sacco and Bartolomeo Vanzetti - Italian immigrants unjustly executed for their anarchist political convictions.</p>
<p>Witness the restaging of their landmark play Paradise Now in New York&#8217;s Union Square on the site of a historic mass protest by over 500,000 supporters of Sacco and Vanzetti on the fateful day in 1927 when they were electrocuted by the State of Massachussets. </p>
<p><center><span style=FONT-WEIGHT:bold>COMMEMORATIVE PRINTED MATTER </span><br /></center></p>
<p>- <span style=FONT-STYLE:italic><b> TWO DOUBLE SIDED 14 x 19 POSTERS</b></span> 1) THE MAP OF PARADISE as drawn by Julian Beck and 2) AN INFRARED ODYSESSY a stunning montage of photographs by Don Snyder from Paradise Now at Brooklyn Academy of Music</p>
<p>- <span style=FONT-STYLE:italic><b>36 PAGE FULL COLOR MAGAZINE BOOKLET</b></span> including texts by Antonin Artaud, Allan Graubard, Julian Beck, Judith Malina, Ira Cohen, Don Snyder, photographs, stills from the films, ephemera and much more</p>
<p><br style=FONT-WEIGHT:bold/></p>
<p><center><span style=FONT-WEIGHT:bold> ADDITIONAL SPECIAL FEATURES</span><br /></center></p>
<p></p>
<p>- <span style=FONT-STYLE:italic>INTERVIEWS</span> with directors Julian Beck*, Judith Malina, Hanon Reznikov, company member Steve Ben</p>
<p>Israel, and producer Ira Cohen</p>
<p><i>*(courtesy of Mark Ari)</i></p>
<p>- <span style=FONT-STYLE:italic>THE SPINNING WHEEL</span> by Steve Ben Israel,</p>
<p>soundtrack to <span style=FONT-STYLE:italic>EMERGENCY</span> sourced from</p>
<p>agit-prop radio broadcasts</p>
<p>- <span style=FONT-STYLE:italic>LOVE &#038; POLITICS</span>, an introduction to the themes and personalities at the heart of the work of The Living Theatre, including scenes from The Living Theatre repertory and poems and texts by Malina, Reznikov, Julian Beck. Filmed at The Pink Pony NYC and LaMama ETC with an introduction by Ira Cohen</p>
<p>- <span style=FONT-STYLE:italic>FULL THEATRICAL SCRIPT SLIDESHOW</span> of Paradise Now, A Collective Creation of The Living</p>
<p>Theatre, as written down by Julian Beck and Judith Malina documenting more than 100 performances of the event</p>
<p>- <span style=FONT-STYLE:italic>MYSTIC FIRE GALLERY</span> of excerpts from Living Theatre documentaries including Sheldon Rochlin&#8217;s watershed documentary, Signal Through the Flames</p>
<p>- <span style=FONT-STYLE:italic>AKASHIC VIDEO GALLERY</span> of excerpts from current and forthcoming Arthur DVD releases</p>
<p> <a href="#paypal2">Order direct from ARTHUR using PAYPAL</a></p>
<p><center><span style=FONT-WEIGHT:bold>WHAT IS PARADISE</p>
<p>NOW?</span><br style=FONT-WEIGHT:bold/></center></p>
<p></p>
<p>In 1968 The Living Theatre, led by Julian Beck and Judith Malina, triumphantly</p>
<p>returned to America from years of self-imposed exile in Europe with their</p>
<p>theatrical breakthrough <span style=FONT-STYLE:italic>Paradise Now</span>. The</p>
<p>play introduces the practice of collective creation, dissolving the boundaries</p>
<p>of human interactions and forging a harmony between the actors and audience. Of</p>
<p>this process, Julian Beck writes, &#8220;Collective creation is the secret weapon of</p>
<p>the people&#8230; This play is a voyage from the many to the one and from the one to</p>
<p>the many. It&#8217;s a spiritual voyage and a political voyage, a voyage for the</p>
<p>actors and the spectators. The play is a vertical ascent toward permanent</p>
<p>revolution, leading to revolutionary action here and now.&nbsp; The revolution</p>
<p>of which the play speaks is the beautiful, non-violent, anarchist revolution.</p>
<p>The purpose of the play is to lead to a state of being in which non-violent</p>
<p>revolutionary action is possible.&#8221;</p>
<p>The result of this shared voyage is the spontaneous creation of a temporary</p>
<p>anarchist collective- free from the enslavements of war, violence, the State,</p>
<p>money and the self.</p>
<p><a href="#paypal2">Order direct from ARTHUR using PAYPAL</a></p>
<p><center><span style=FONT-WEIGHT:bold> CRITICAL PRAISE FOR MARTY TOPP&#8217;S PARADISE</p>
<p>NOW</span><br style=FONT-WEIGHT:bold/></center></p>
<p>&#8220;Paradise Now is possibly The Living Theatre&#8217;s greatest achievement &#8230;</p>
<p>unsurpassable!&#8221; &#8212; Ira Cohen</p>
<p>&#8220;This past spring, in a group art show at New York&#8217;s Swiss Institute, an old</p>
<p>black-and-white television played a grainy print of bodies writhing to the tune</p>
<p>of distant drumming. &#8216;As long as you have people working for money and not love,</p>
<p>there will be violence,&#8217; intoned a tall, angular man on the screen. The bodies-</p>
<p>women in scant bikinis and men in what looked like loincloths-piled together in</p>
<p>an orgiastic tribal dance, some simulating (or perhaps actually having) sex as</p>
<p>the voice continued: &#8216;Psycho-sexual repression is impeding the revolution.&#8217; What</p>
<p>looked like an underworld-of the 1960&#8217;s counter-cultural variety, in this case-</p>
<p>is the Living Theatre&#8217;s Paradise Now, as documented in the 1969 Ira</p>
<p>Cohen-produced film&nbsp; Paradise Now: The Living Theatre in Amerika &#8230; soon</p>
<p>to be released on DVD from Arthur Magazine.&#8221; &#8212; CAN THEATER STAGE A REVOLUTION?</p>
<p>- Traci Parks, Fall &#8216;07 Preview, V MAGAZINE</p>
<p>&#8220;Joyous, brutal, exploding with the kinetic energies of psychic catharsis&#8230;</p>
<p>Marty Topp&#8217;s PARADISE NOW: The Living Theatre in Amerika has captured the</p>
<p>essence of this extraordinary theatrical experiment.&nbsp; It is unquestionably</p>
<p>one of the finest artistic documentaries to come out of the United States</p>
<p>cinema.&nbsp; It&#8217;s heartfelt sincerity should be sheer inspiration to the many</p>
<p>young people throughout the country who are struggling to make meaningful and</p>
<p>influential work.&nbsp; It is the reverberation of a crucially important message</p>
<p>that must not be neglected, for the consequences are too terrible to endure.</p>
<p>Marty Topp&#8217;s achievement is not just in the making of a great film, but in</p>
<p>making us remember again, Paradise as a reality.&#8221; - PARADISE ON FILM - Don</p>
<p>Snyder, July 1970, East Village Other</p>
<p>&#8220;Like an astonishing portion of the country&#8217;s popular music, the spectacles of</p>
<p>The Living Theater proved to be in content and form outside the social system-</p>
<p>not structured by it nor, except as outlet, implementing it: liberated</p>
<p>territory.&#8221; &#8212; Revolution at the Brooklyn Academy - Stefan Brecht, The Drama</p>
<p>Review number 43: Spring 1969, The Living Theater Issue</p>
<p><br style=FONT-WEIGHT:bold/></p>
<p><center><span style=FONT-WEIGHT:bold>MORE ABOUT THE LIVING THEATRE<br /></span></center></p>
<p></p>
<p>Founded in 1947, The Living Theatre has staged more than 80 productions</p>
<p>performed in eight languages in 25 countries on four continents - a unique body</p>
<p>of work. Visit their new space on Clinton St. in NYC - more</p>
<p>info:<a href=http://www.livingtheatre.org/ target=_blank title=www.livingtheatre.org>www.livingtheatre.org</a></p>
<hr /></p>
<p> <i>Inquiries: editor at universalmutant dot com</i> </p></p>

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